Photographer Eddo Hartmann travelled four times to North Korea between 2014 and 2017 to create his groundbreaking project in cooperation with Koryo Studio. This website presents Hartmann’s photographic work, video instalations and 360 footage
“ Within North Korea’s collective character, the individual is just a pixel . It’s exactly that pixel that I’m looking for and their significance within the city. ”
Having made four trips to Pyongyang over the last few years, Eddo Hartmann has created this refined project to portray the North Korean regime’s ambition to construct the ultimate socialist city while completely shaping the lives of its inhabitants after this ideal model.
After the total destruction of the capital during the Korean War (1950-1953), the government seized the opportunity to rebuild Pyongyang from the ground up and convert it into the perfect propaganda setting. The buildings were designed to provide all inhabitants with a utopian background for their everyday routine and immortalise the socialist revolution.
Eddo Hartmann is one of the few Western photographers who have been given the exceptional opportunity to record Pyongyang’s artificial architecture. In a series of evocative images, he has captured the forced and almost unrealistic character of the North Korean aspirations. In the process, he places an original focus on the individual.
The man with a camera
Since its invention, photography has been giving people the opportunity to look into the distant and inaccessible parts of the world. Even in today's global and highly transparent world, where people can cover large distances in a few hours, we learn a lot about life in other countries through the images and texts accompanying them. This is especially true for closed states, access to which is restricted or impossible for political reasons. In this case, the image is based solely on media coverage, often mythologizing and turning into a set of visual and verbal clichés. North Korea is perhaps the most vivid example of such mythology. Being isolated from the rest of the world, the country only seems to show its carefully retouched surface. A man with a camera in North Korea faces rigid control and regulations concerning what to shoot and how it should be shot. However, photography, which is able to capture a random moment, detect something not available to the unaided eyes and suddenly show "invisible" even in the carefully staged performance, remains the main research tool of the hidden reality.
Eddo Hartmann encounters Pyongyang as a grand stage, an imposing, often bleak facade that weighs down and dwarfs individuals.
Leave it up to the always present guides and Pyongyang is a deserted city. Their focus is on the grand narrative of country, leader and revolution, and how these are one and undivided. Every story, every visit begins and ends with the Great Leaders, absorbing all attention like a black hole consuming all light.
The monumental front of Pyongyang is an architectural hymn to the Leaders. Their imprint on the city is as imposing as it is all-encompassing. They gave the city its squares and monuments, its memorials and museums, its libraries and theatres, its subway and hospitals, its leisure parks and apartment blocks. Memorial plaques at the entrances of countless buildings list the times the Great Leaders gave ‘on the site guidance’. Throughout the city, mosaics showing the radiant faces of the Great Leaders accompany commuters on their journey, and stelae erected on major thoroughfares remind residents that the deceased Great Leaders shall forever be with them. Slogans on rooftops and over porticos sing the praise of the Leaders, their ideology and the Korean Workers’ Party. In the entrance halls to public buildings, statues or paintings of the Great Leaders, themed to the purpose of the building, welcome visitors.
Immersive storytelling is a technique that is finding its way into new spaces such as, advertising, documentaries and journalism. The aim is to give audience the feeling of really ‘being there’. 360-degree video is recorded using a special rig of multiple cameras, or using a camera that contains multiple camera lenses embedded into the device, and filming overlapping angles simultaneously. Through a method known as video stitching, this separate footage is merged together into one spherical video. Needless to say that using this kind of equipment was quite a challenge in the DPRK where a normal shot with a DSLR camera already can be difficult to almost impossible.
Below you can find a 360-degree video fragment (work in progress) made in Pyongyang that will be part of a video installation at Museum Huis Marseille Museum for Photography in Amsterdam from December 9th 2017 until March 4th 2018. Please note that you need the last version of Crome, Opera, Firefox or Internet Explorer to view 360 video's. Click image:
Loudspeakers in the streets of Pyongyang
Pyongyang, 12 o'clock at night. The eerie stillness of the late night is shattered as loudspeakers across the city crack to life with the strange, dissonant electronic music of "Where Are You, Dear General" as performed by North Korea's state-sanctioned propaganda orchestra. Probably every day, most of Pyongyang's residents end their day when this recording sounds over the streets and into their bedrooms.
The tune is a short synth version of a song from one of the most famous North Korean revolutionary operas: "A True Daughter Of The Party". It has been said that it is written by Kim Jong Il, the late Leader of the DPRK. Not only that: according to one version of his official biography, all his opera’s are “better than any in the history of music.” Even accounting for the immodesty of dictators, this claim is unusual. Most leaders see themselves as military heroes and saviors of their people; Kim also wanted to be known as, of all things, a composer of operas.
Armed with a tripod and filmcamera Hartmann followed his guides during many late evenings in Pyongyang to record the residents of the city making their way trough the dark streets and square's.
Below you can find a short edit of the footage (click image) that will be part of a video installation at photography museum Huis Marseille from december 9th 2017 until March 4th 2018:
Since 1999, Huis Marseille has been situated on Keizersgracht 401 as Amsterdam’s first photography museum. The museum was recently expanded to include the neighboring building at Keizersgracht 399, providing it with a total of fourteen exhibition spaces.
In the spring of 2015 Huis Marseille displayed the first part of Setting The Stage in which Hartmann attempted to visualize reality in Pyongyang. In this second and concluding exhibition of the project Hartmann penetrates further into the everyday lives of people who populate this isolated corner of the world. Using film material and 360-degree video he made recordings that give the viewer the sensation of experiencing what it’s really like to have to live in this environment day in, day out. And to wonder whether residents of Pyongyang behave like actors in the stage play that has been built around them.
Setting The Stage will be on view from December 9th 2017 until March 4th 2018
Huis Marseille, Museum for Photography
1016 EK Amsterdam
T +31 (0)20 531 89 89
"SETTING THE STAGE/ NORTH KOREA" HARDCOVER Publication with more than 75 full color images
Introduction by Koen De Ceuster
A historian of modern Korea at Leiden university (Netherlands), Koen De Ceuster (1963) has published widely on South and north Korean affairs. interested in the social construction of history and the politics of memory, he studies north Korean propaganda posters and art. he is an internationally recognised authority on north Korean art theory and practice.
Interview with Eddo Hartmann by Merel Bem
Merel Bem (1977) studied art history at the university of amsterdam and new York university (nYu). Since 2000 she has been writing on art, photography and fashion for the dutch national broadsheet de Volkskrant and numerous magazines and publications.
27 x 35 cm
ISBN 978 94 9267 715 0
NRC NEWSPAPER (NL) : film set
KNACK MAGAZINE (NL) : propaganda
NEW DAWN (NL) : Interview
TIME (Eng) : Extravagance
CULTUREDARM (Eng) : Architecture
NOS NEWS (NL) : Expo
HUIS MARSEILLE (Eng) : Interview
VRIJ NEDERLAND (NL) : Hoogovens
Eddo Hartmann (1973, the Hague) lives and works in Amsterdam. He graduated with distinctions from the Department of Photography at the Royal Academy of Art The Hague (KABK). Hartmann claims that his approach is grounded in the 19th century photographic tradition. He takes careful consideration for gaining detail wherever possible. His cityscapes, interiors and portraits show this intensive effort. The skill, patience and unrelenting point of view make Hartmann’s photographs intimate and epic at the same time.
Apart from his personal oeuvre, he is also active as a freelance photographer for advertising agencies, design studios and editorials in the Netherlands and abroad. His images were exhibited in various galleries and museums including The Lumiere Brothers in Moscow, The Museum Dr Guislain in Ghent and The Seoul Museum of Art. His work can be found in private and public collections. Hartmann received numerous nominations and awards from The Dutch photographers Association (DuPho) and the Association of photographers in London (AOP). He was longlisted for the Swiss ‘Prix Prictet’ in 2012 and the ‘Dutchdoc Award’ in 2013 for his book ‘Here Lives My Home’
Call: +31 (0)20 622 1905
More work of Eddo Hartmann: www.eddohartmann.nl
Here lives my home: www.hierwoontmijnhuis.nl
Text on this website by:
Koen De Ceuster, University of Leiden
Olga Annanurova, curator Lumiere Brothers Gallery Moscow
Daniel Levitsky, Koryo Studio Beijing
"Setting the Stage" would not have been possible without the generous help of Koryo Studio/Tours
Nick Bonner, Simon Cockerell, Vicky Mohieddeen, Adrian Sandiford, Marielle de Goede, James Banfill, Rich Beal.
Images and footage © Eddo Hartmann/Koryo Studio
This website and its content are owned by Hartmann Photography. The website, its design and its content including each image are protected by copyright. The owner asserts his moral right to be identified as the author wherever his photographs are copied or distributed by any means. No unauthorized use is allowed. If you are interested in using any image on this website please contact us.